Signed lower right: Miller

Madison Art Gallery, New York, "Luminism from Giverny: Exhibition of Paintings by Frieseke, Miller, Lawton Parket, and Guy Rose," December 1910-January 1911; Albright Art Gallery, The Buffalo Fine Arts Academy, Buffalo, New York, "Eighth Annual Exhibition of paintings by American Artist," May 10-September 7, 1913, no. 79. Berry-Hill Galleries, New York, the Giverny Luminists: Frieseke, Miller and their Circle, November 1995-January 1996, no. 14.

Engineers' Club, New York, before 1913; Berry-Hill Galleries, New York; Private collection, New York, acquired from the above; Sotheby's, New York, May 27, 1993, lot 40; [With]Peterson Galleries, New York; John Victor Cassara, Oyster Bay, New York; Estate of the above, 2022; Akiba Antiques, Dania Beach, Florida, sale of the above, March 26, 2024; Private collection, Marina Del Ray, California, acquired from the above.

Richard Edward Miller (American, 1875-1943) In the Shadow Oil on canvas 32 x 25-1/2 inches (81.3 x 64.8 cm) Signed lower right: Miller PROVENANCE: Engineers' Club, New York, before 1913; Berry-Hill Galleries, New York; Private collection, New York, acquired from the above; Sotheby's, New York, May 27, 1993, lot 40; [With]Peterson Galleries, New York; John Victor Cassara, Oyster Bay, New York; Estate of the above, 2022; Akiba Antiques, Dania Beach, Florida, sale of the above, March 26, 2024; Private collection, Marina Del Ray, California, acquired from the above. EXHIBITED: Madison Art Gallery, New York, "Luminism from Giverny: Exhibition of Paintings by Frieseke, Miller, Lawton Parket, and Guy Rose," December 1910-January 1911; Albright Art Gallery, The Buffalo Fine Arts Academy, Buffalo, New York, "Eighth Annual Exhibition of paintings by American Artist," May 10-September 7, 1913, no. 79; Berry-Hill Galleries, New York, the Giverny Luminists: Frieseke, Miller and their Circle, November 1995-January 1996, no. 14. LITERATURE: "Luminism From Giverny," New York Evening Post, December 20, 1910, p. 9; "Art and Artist," New York Evening Globe, December 25, 1910; "Art and Commercial Review," New York American, December 26, 1910, p. 2; Berry-Hill Galleries, New York, The Giverny Luminists: Frieseke, Miller and their Circle, exhibition catalogue, 1996, no. 14. illustrated. Richard Edward Miller was a prominent American Impressionist painter renowned for his striking and vibrant depictions of women. A native of St. Louis, Missouri, Miller's artistic journey led him to study at the Académie Julian in Paris. There, he absorbed the Impressionistic approach to light and color, which would become hallmarks of his style. His European sojourn was marked by a successful stint, during which he received several awards, including medals at the Paris Salon—an esteemed recognition for an American artist at the time. Miller's painting In the Shadow showcases his mastery of the Impressionist style and his distinct flair for capturing the essence of his female subjects. The painting presents a woman in a moment of repose, bathed in dappled light that filters through the leaves, casting both light and shadow over her. This interplay of light and darkness is a nuanced commentary on the multifaceted nature of women, which Miller was adept at portraying. The artwork's significance lies in Miller's approach to his subject: the woman is not merely an object of beauty but a deep, reflective soul. The shadows may imply the unseen facets of her character, adding a layer of mystery and depth that goes beyond the aesthetic. Miller's focus on capturing his subjects in reflective states is emblematic of a shift in the portrayal of women during this era, emphasizing their inner lives and personal experiences. In the Shadow stands as an exemplar of Miller's ability to harmonize the human figure with its environment, a characteristic feature of his oeuvre. His subjects are integrated into their settings in a way that suggests a dialogue between the individual's inner world and the surrounding nature. Miller's paintings, thus, transcend mere representation; they explore the psychological and emotional narratives of his subjects. Beyond his technical brilliance, Miller's paintings contribute to the cultural narrative of their time, reflecting the evolving societal attitudes towards women. By presenting them as complex, thoughtful beings, Miller challenged the traditional, ornamental role of women in art. In the Shadow, in particular, with its serene and introspective mood, invites viewers to contemplate the interplay between light, emotion, and perception. Miller's legacy is that of an artist who bridged the gap between traditional portraiture and modern explorations of color and light, all the while rendering his subjects with a modern sensibility that continues to resonate in the realm of art. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved

Lined canvas. Faint hairline craquelure. Under UV exam, there is a few spots of inpaint in the figure's hand. Framed Dimensions 40.5 X 34.5 Inches